Category Archives: Public Lecture Series

Wednesday, November 16, 2022, 7:00 pm (Atlantic), Halifax Central Library (BMO Room) and via Zoom

Nicole Neatby: Professor, History Department, Saint Mary’s University

Abstract: Reviews in Halifax  newspapers  reveal that blackface performances  provoked mixed reactions between the late 1830s when they first appeared and the 1860s. While these shows were clearly popular from the outset among many Haligonians, those who published reviews were highly critical in the early decades.  However, it didn’t take long for reviewers’ assessments to evolve.  By the 1860s, the derision had subsided and  blackface shows gained favour as a form of  acceptable mainstream entertainment. This lecture will explore the reasons behind this shift and to what extent these reactions can offer some insights into  white Haligonians’ attitudes towards race and class.

Click here for a bio of Nicole Neatby

Wednesday, October 19, 2022, 7:00 pm (Atlantic), Halifax Central Library (Lindsay Children’s Room) and via Zoom   

Colin Osmond, Post-doctoral Fellow, Mount Saint Vincent University

Abstract: Every year on July 26th, Mi’kmaq travel to Maligomish to attend Saint Anne’s Day – a Roman Catholic tradition honouring the Mi’kmaq’s patron saint. But the Mission is much more than a Catholic Holy day. For centuries, Mi’kmaq have gathered at Maligomish for a series of important political meetings and cultural events. The continuity of Mi’kmaq traditions highlights Mi’kmaw agency and cultural persistence – despite enormous colonial pressure to ‘assimilate’ in the 19th and 20th Centuries.

Click here for a bio of Colin Osmond

Wed., May 18, 2022, 7 pm (Atlantic), via Zoom

For Members, the AGM package will be available here

Susan Surette-Draper, Les Amis de Grand-Pré

Abstract: Some Acadian men’s names like Joseph Beausoleil, René LeBlanc and Pierre Melanson are familiar to many people but have you ever asked yourselves about the women in their lives? How did women’s support, determination and leadership help to build and preserve Acadian identity? A few rare comments can
be found in history books but the information is sparse and scattered. Join Susan for her look at Acadian society from a female lens.

Click here for a bio of Susan Surette-Draper

Wed., April 20, 2022, 7:00 pm (Atlantic), via Zoom

Sara Beanlands, Boreas Heritage Consulting Inc.

Abstract: Georges Island is a cultural landscape that reflects centuries of change in military strategy and defense technology. During the late 19th century, a highly secretive technology for manufacturing and deploying mines emerged, and the Island became the site of a Submarine Mining Establishment. In 2020, as Parks Canada prepared to open the island for public visitation, archaeologists uncovered a portion of the historic SME infrastructure. This talk will explore the history and archaeology of the Submarine Mining Establishment on Georges Island.

Click here for a bio of Sara Beanlands

Wed., March 16, 2022, 7:00 pm (Atlantic), via Zoom 

Dr. Hilary Doda, Dalhousie University 

Abstract: ‘Overshot’ is a textile form that has been produced in Cape Breton from the early days of Scottish migration. Despite the loss of the skill elsewhere, overshot’s popularity persisted in Cape Breton through the mid-20^th century as part of a larger theme of nostalgic identity formation. The patterns carry narratives of longing that developed new importance in a time already fraught with antimodernist sentiment, as signifiers in turn of respectability, hospitality, and lineage.

Click here for a bio of Hilary Doda

Wed., February 16, 2022, 7:00 pm (Atlantic), via Zoom  

Carole MacDonald

Abstract: Carole MacDonald, daughter, granddaughter, and great-granddaughter of Glace Bay coal miners, has questions about the legacy of the man labour historians claim, “fought for the miners” in the early twentieth century. These questions include: why, while practicing capitalism, McLachlan preached communism; why some of his decisions, considered heroic by many, arguably demonstrated a careless disregard for human life; and how this orator’s speeches, articles, and demands for illegal strikes failed to help women feed and protect their children.

Click here for a bio of Carole MacDonald

Wed., January 19, 2022, 7:00 pm (Atlantic), via Zoom 

Magen Hudak

Abstract: Beginning in the mid-1800s, Silver Sands Beach enjoyed local and non-local fame as a summer destination. However, in the mid-20th century, it succumbed to the adverse effects of commercial sand and gravel mining. This lecture will examine the competition between 19th and 20th century notions of recreation and leisure, versus the environmental pressures of the resource extraction industry. It will also examine the present significance of Silver Sands, as both a coveted coastal access point and as a heritage landmark.

Click here for a bio of Magen Hudak

Wed., December 8, 2021, 7:00 pm (Atlantic), via Zoom

Judith Fingard

Abstract: The contribution to the black community in Halifax of two girls named Blanche was recognized in the April 1915 issue of the short-lived Atlantic Advocate. Blanche Roache was identified as “the first coloured young lady to enter the Conservatory of Music” and, the reporter noted, by “a singular coincidence, Miss Roache’s mother…was the first coloured lady to enter the Halifax Academy,” the city’s public high school. This paper explores some features of these ‘firsts.’

Click here for a bio of Judith Fingard

Wed., November 17, 2021, 7:00 pm (Atlantic), via Zoom

Steven Schwinghamer: Canadian Museum of Immigration at Pier 21

Abstract: Pier 2 was the busiest historical immigration site in Halifax, serving the Atlantic passenger trade during the peak years of Canadian immigration before the First World War. Despite this significance, Pier 2 is invisible or distorted in public and academic histories. Exploring the development of the immigration sheds at Pier 2 illuminates the state of the port and city of Halifax, and of Canada’s immigration system, during a transformative period in Canadian history.

Click here for a bio of Steven Schwinghamer